Wednesday, June 3, 2009
Is It Important to Learn to Read Music?
There's some debate now with video games (like on nintendo DS) teaching people how to read music and all about music notes, if it's really that important to learn any more or it's kind of an "outdated" musical skill.
I still think music theory and learning to read music is very important. I know that you'll always be a limited musician until you know how to read music, because it happened to me.
What about you? Email me and let me know!
Thursday, May 28, 2009
Notes, Rests and Semibreves - How to Read Music
How to Read Music Time Signature. Play the notes and rests in relation to the time signature. Now that you know which lines and spaces correspond to which notes (thanks to the clef), you can read the piece from left to right. The symbols will either represent notes or rests. Rests indicate silence, so they do not designate any pitch; they are typically placed in the same position on the staff. A variety of symbols are used to indicate the duration of a note or rest relative to other notes or rests.Notes:Rests:
A whole note or semibreve appears as a "circle" on the staff in a measure and is worth 4 beats in common time. A whole note is the base unit to which all the other fractional notes are related.
I know, I know. Notes and semibreves and rests, oh my!
But fortunately, you can still Learn How to Read Music in just 7 Days.
Thursday, May 21, 2009
How to Read Music - Time Signature
The top number normally determines how many beats are in a measure or bar (a measure is defined by vertical lines, or bar lines, that run perpendicular to the staff). For instance, if the time signature is 3/4, there are three beats in a measure.
The bottom number in the time signature normally determines what kind of note gets one beat. This number is most commonly 4, which means that a quarter note (see next step) gets one beat. It may also be 2, which means that a half note gets one beat, or 8, which means that eighth notes are used to determine the length of the measure.
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Sunday, May 3, 2009
Learning to Read Music - Key Signature Part 2
The exception to this rule is the key of F, which has only one flat. In keys containing sharps, the name of the key is one step above the last sharp; for example, if there are three sharps, F, C, and G, the name of the key, one step above G, is "A".
Notes can also be designated flats or sharps by flat or sharp symbols placed right before them within the piece of music. In this case, only the corresponding notes in that measure (see next step) are modified.
Natural signs cancel a flat or a sharp.If the key signature tells you that all "B" notes, for example, should be played as "B-flats," a natural sign can be used before a single "B" note to indicate that that particular note and other "B" notes in that measure should be played as "B," not as "B-flat."
Be sure to check for key changes. Key changes will be indicated throughout some pieces and will look like a key signature. When this happens, change the key you are playing in as is indicated from there on out, or until you come upon another key change.
If you're looking for some more advanced information on learning to read music, or just want to be able to apply this information fast, try this Learn to Read Music Fast Program
Monday, April 27, 2009
Want to Learn to Read Music? Here's the "Key"
Directly to the right of the clef there may be one or more flat or sharp symbols before the notes begin. This group of symbols is called the key signature. If there are no so such symbols, then the key signature is "natural" (neither sharp nor flat).
Key signature in A-flat-major and f-minor A flat symbol on a line or a space tells you that all notes on that line or space should be played flat (one semitone lower than they would otherwise be played.) Thus a flat symbol on the line of the staff that corresponds to "B" would indicate that all "B" notes in the piece should be played as "B-flats," which are halfway between "A" and "B". The symbols that look like lowercase letter "b"s are flats.
Again, very basic but certainly worth thinking about. When I can figure out how (lol) I'll put some simple sheet music on here for us to dissect together. Plus I'll do another post or two on key signatures... In the mean time, Learn How to Read Music Fast!
Monday, April 20, 2009
Learn to Read Music Articles Posted on EzineArticles.com
I just had 2 articles on Learning How to Read Music and basic Music Reading information published on EzineArticles.com. They even liked the quality of the content so much that they've decided that I'm one of there "Expert Authors"!
I'm very excited. Will be keeping you updated here when I have new articles go live about How to Learn to Read Music.
See them at http://ezinearticles.com/?expert=David_Neuenschwander.
Or if you really want to, try this site to Learn How to Read Music Fast
Friday, April 10, 2009
How to Read Music - the Bass Clef
It's always interesting to see the advice that people come up with. It always seems to be just a collection of the same things repeated over and over again. For example, I read...
"The bass clef is used for the bass and baritone voices and lower instruments such as the tuba, trombone, and sousaphone. The bass clef was created because the notes for these lower instruments would be so low beneath the Treble Clef staff it would be very hard to write music that was easy for players to read. The bass clef notes can be memorized by: Lines -Good Boys Do Fine Always Spaces - All Cows Eat Grass"
I don't know about you, but I've tried the memorize lines and spaces before and it just doesn't seem work for me. My brain doesn't function that way. I am always left counting lines and spaces instead of actually reading music...
But anyways, There are a few good answers out there and I'll share what I've learned in my next post. In the mean time, do some research on wikihow and spend some time on this site if you really want to Learn how to Read the Bass Clef
Friday, April 3, 2009
Learn How to Read Music
Because of that I decided to write a few basics for people who are just trying to get their feet wet... Since the treble clef is the most common, we'll start with it.
The treble clef, also known as the G-clef (because it circles the line for the G note), is used in writing music for most musical voices (soprano, mezzo-soprano, alto, and tenor), most woodwind instruments, stringed instruments (violin, guitar) and high brass instruments such as the trumpet. It also typically corresponds to the notes played with the right hand on the piano. The notes played on the lines of the treble clef staff are, from bottom to top, E, G, B, D, F. The order of these notes can be remembered with the use of mnemonic phrases such as Every Good Boy Deserves Fudge or Every Good Boy Does Fine. The spaces between the lines, from bottom to top, correspond to the notes F, A, C, E, a sequence which, obviously, spells "FACE."
Obviously this is pretty basic, but for much more information, we recommend the following site to learn how to read music